Printing on felt is one surface decoration that I have not tried yet but hopefully today will change all that! I am just off now for my monthly workshop (have missed all during the summer unfortunately) with the South East Textile Group and apparantly printing is what we will be learning, specifically printing on felt or so I believe. Luckily I have a plain green felt rectangle in my stash and I am hoping it will be fine to try on this, some of the other members are bringing along commercial needle punched felt and possibly some hand made prefelt as well. I will also have access to a good printer which the group owns so I am bringing some JetFix paper as well. I want to print on to muslin and gauze and then incorporate this into some experimental nuno as soon as I have a minute early next week. Anyway, off I go, I will update you on how I get on over the weekend.
Posts Tagged ‘South East Textile Group’
Posted in Felt, nuno felt, workshops, tagged Felt, Felting, needle punched felt, Nuno, nuno felt, prefelt, printing, printing on felt, South East Textile Group, wet felting on October 24, 2009 | 3 Comments »
I had a very enjoyable time yesterday at the monthly get together of the South East Textile Group. We meet on the last Saturday of every month at the Demanse Yard in Castlecomer, Co. Kilkenny for inspiration, textile related tutorials and workshops, good food and a bit of fun! Stephanie was teaching members how to needle felt a doll so making my apologies (needle felting really aggravates my back and I am NOT a doll person!) I settled in for a relaxing session of wet felting. I felted a selection of glamorous flowers using some sparkly merino for the top layer and now just need to sew pins onto the backs and upload them to my Etsy shop. I also felted three new rings and showed everyone how you can also use them as a ‘clasp’ with a scarf, really multi functional and fun items. After a great lunch in the cafe I gathered a twisted stick and felted a flower onto the branch, part of my experimental work before I submit my proposal for ‘Sculpture in Context’ which is taking place at the National Botanic Gardens in Dublin this September.
When I arrived home from Castlecomer I was faced with my previously beautiful cerise mohair and wool jumper after I had made a mistake with the controls of my washing machine. Previously I had washed this soft and beautiful jumper on a 30 degree wool wash but for some alsolutely crazy reason this time I had a rush of blood to my head and lumped it in at an active 40 degrees, disaster! Although it was not totally ’fulled’ it was getting there so nothing ventured nothing gained, I decided to bung it in on a 90 degree wash and take my chances with the resultant fabric. Happily it worked a treat (obviously I would have preferred not to have shrunk it but once the process had started there was no going back) and this morning I cut up the jumper into various useful sections. The piece that I am most pleased about is the neck, it now makes a really beautiful and warm headband with the addition of a crochet and felt green and pink corsage! The sleeves are now fingerless mittens awaiting some embellishment and the body looks like it may be redesigned into a soft and comfortable cowl!
The South East Textile Group held our first meeting of the year last Saturday and it was my turn to share some skills and facilitate the workshop. We met at the Demanse Yard in Castlecomer, Co. Kilkenny and as usual started the morning with a coffee and chat in the beautiful light filled restaurant/coffee shop. Our theme for the day was ‘felt bags’ and luckily I got my newsletter from the secretary during the end of last week or they would have been without a tutor as with all the excitement of the rug making I had totally forgotton to make a note of the date in my diary! We had a great turnout of members and as many of them had only felted once or twice before I really wanted to make sure that they all had a good experience and went home with their own beautiful completed bag.
We started the workshop by passing around some seamless bags that I had previously made and I explained that I wanted everyone to work using an oval resist, the different shapes of the finished bags would be achieved by cutting the opening in different positions. I prefer using laminate floor underlay as my resist and we had a brief discussion about how this layer of plastic is like a letter in an envelope and prevents the fibres from both sides sticking together when starting the felting process. Because I had a lot of wool ordered for Mehmet’s rug making workshops I had a nice selection of colours for anyone to choose from if they didn’t have their own wool to work with and once everyone had selected and weighed their wool (mainly long fibred American merino but also a few colours in New Zealand merino batts) I showed them how to lay out the fibres in even layers on top of their oval shaped resist. When using this method it is really important to take care when turning your package over and keeping the fibres tight around the outside as you flip the loose strands from one side to the other. Because some of the members had only felted once before we did have a few laughs trying to get to grips with the concept of seamless felting; which layers of wool would become the inside of the bag, which the front, which the back, where would the design end up etc. but once everyone understood what we were aiming to achieve some beautiful bags started to take shape. Interestingly enough one of the completed bags actually looked even better when turned inside out, something that quite often happens when felting, one of the reasons that I love the process! We wet the layers of wool out (all the bags were worked between 2 layers of bubble wrap) with warm water and olive oil soap, massaged the fibres, flipped the whole thing over and then laid out the other side. In order for everyone to have a well finished bag I kept a close eye on how the members were laying to wool out, some used 3 layers before laying out any final decoration, some 4 layers. I had brought a goodie bag with a selection of different coloured wool for the final layer and also some great mulberry silk which some people choose to incorporate into their design. We broke for lunch at this stage and returned in the afternoon to roll, throw and complete the fulling process. Once the packages had shrunk enough and the members could feel the resist culing inside the felt it was time to cut open the package and decide where to place the handles. Some members cut out a semi-circle of felt as I had done in my demo bags, Mari and Mary actually didn’t cut a whole piece of felt out but created clever little flaps to use as closures in the finished bags. Once the bags were felted fully I showed everyone how to make a simple cord handle and a couple of people went on to decorate their bags with great felt flowers as well!
The Clasheen New Year destash swap is now underway and swap partners have been assigned!
Annabie swaps with Clear2glass
edwardsdawn41 swaps with Shelivesacharmedlife
Clasheen swaps with ABarrett
Girly Girl Bags swaps with weepereas
Check out our Flickr group to see exactly what we are up to and why not join in the fun next time around!
Posted in Felt, tagged Anita Larkin, Castlecomer, cords, Demense Yard, dyes, experimental, fellting, Felt, fibre, inclusions, inspiring, Kozo, Kozo Gallery, paper, prefelt, resist, sculptural, silk, silk paper, South East Textile Group, suede, Thomastown, Tunde Toth, wire brush, workshop on July 21, 2008 | Leave a Comment »
An amazing tip learnt during the Anita Larkin workshop concerns the use of a wire brush! People had brought different sized brushes to try, but for fairly small pieces of work a suede shoe brush seemed perfect. We used these when repairing a seam or depression caused by uneven rolling, attaching an object or closing the hole created when removing the plastic around a resist (explanation re resists Anita’s way to follow in another post). I hope that I can explain what we did clearly but if it is not obvious enough please let me know. The type of ridge/depression I am talking about is that created by uneven pressure when rolling a ball or a cord, often a problem for me and I am sure that most of you know what I am talking about. Once you notice a ridge or depression forming at the pre felt stage use your wire brush gently to fluff up the fibres on either side of the problem area. Holding the piece of felt lightly in your hands (or on the table if easier) smooth the fibres with your fingers and encourage them to move towards each other. It is important that if the ridge goes in one direction you make the smoothing action in the opposite direction, ie. at a 90 degree angle to where the ridge is lying. Keep smoothing very gently for quite a few minutes and you will notice that the ridge or depression magically seals over. This method of fluffing up the fibres with a wire brush also allows you to attach a prefelted object to another piece of felt, just fluff up the side where you wish to make your join and work the seal very slowly and carefully. Next time that I write a post I will discuss Anita’s method of making cords and inserting wire into felt.
I did want to mention today however that on Saturday I attended an excellent one day workshop about silk paper making facilitated by Tunde Toth. This workshop was organised by the South East Textile Group and took place at our usual venue in the Demense Yard at Castlecomer, Co. Kilkenny. Tunde is an artist working from the Kozo Gallery in Thomastown and specialises in different types of paper making. She brought a great range of fibres for us to work with, initially we made a basic silk paper and then got really stuck in using inclusions and dyes as we became more experimental. I found the whole process really inspiring as depending on the thickness of the paper made I feel it will be possible to insert the silk paper into a piece of felt at the early part of the felting process. Already I have made a couple of experiments with silk paper that I made on Saturday, more on this subject as soon as I have finished writing about the scupltural feltmaking weekend with Anita.
Posted in Felt, tagged African, Castlecomer, Demanse Yard, Fabric, Felt, Felting, fulling, lino print, logo, medium, merino, muslin, needlefelt, nuno felt, prefelt, print, printer, printing, South East Textile Group, transfer, wallhanging, Wollknoll, workshop on June 28, 2008 | 1 Comment »
I had a great time today at the Demense Yard, Castlecomer with the ‘South East Textile Group’. We meet one Saturday a month and either one of the members or an invited guest hosts a workshop. Today Jean (one of our founder members) showed us all how to create and use a lino print and in the afternoon we were using a printer to transfer images to a special medium and then iron them on to various fabrics.
As my drawing is dreadful I decided to use the lino cutting as an opportunity to explore the possibilities of creating a tag or logo for my work. I created a simple logo using my initials and some lines. Once I had gouged out the lines a bit deeper than my first attempt I was very happy with the end result, thanks Jean for a great tutorial.
The printer here at Clasheen has just run out of ink so I jumped at the opportunity to use the group’s new printer and transfer some images on to the special paper that Jean had brought. Deciding not to draw anything myself, I used some fantastic images of African women from a recent issiue of a fashion magazine that I had. Armed with these as I was going home, I spent the hour driving home planning how I would incorporate them into a piece of nuno felt. My biggest concerns were should they be colour fast once I started to wet felt and would the image shrink too much and become unrecognisable once shrunk and fulled. FANTASTIC success!!! I wanted to experiment with a wallhanging so I ironed one of the images onto a piece of white muslin and then laid it on a large piece of apple green commercial needle felt. This needlefelt is new to me and came from Wollknoll in Germany, usually I would create any prefelt from scratch but have been wanting to experiment with larger pieces in a limited time frame. I then laid out apple green, navy and marine blue merino on top of all but the actual image. These colours were chosen as they picked out the main colours in the clothes the African ladies were wearing. A little white and red wool to highlight and away I went and wet the wool. No problems with the dye from my printed muslin running and because I had positioned the fabric on top of the needlefelt it did not actually distort too much when fulled. I am so pleased with the result and hope to take a photo tomorrow once I decide whether to embellish the piece further or just leave it as it is. I would welcome feedback if anyone feels like making a comment as soon as I post the image of the finished piece!