Posted in Felt, nuno felt, tagged Dawn Edwards, Felt, Felting, firestar, Leiko Uchiyama, merino, nuno felt, nuno felt scarf, nuno felt wrap, nuno felting, silk on January 10, 2013 |
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The weather has been a lot brighter today after a very wet start this morning, good news for me as it meant that I could snap a few pics outside of my nuno scarves and the wrap I felted earlier this week.
Simple scarf combining ponge silk, merino and silk throwster’s waste
I’ll start with one of a simple scarf, this was felted combining ponge silk with some of Leiko’s beautiful hand dyed superfine merino and embellished with hand dyed silk throwster’s waste, a welcome Christmas present from Carmen. I love teaching this scarf as a beginner’s nuno felting project, it’s always successful and such a beautiful way to learn a new technique! The second picture is of a large mosaic style scarf felted combining my own hand dyed cotton gauze (dyed under the watchful eye of Jan Durham and written up in this post last spring!), more of Leiko’s merino and a whole selection of different weights of silk fabric. Good friend Carole buys silk pieces by the weight in the US and then we do a swap for mohair off cuts from Cushendale Woollen Mill, Cushendale is a wonderful source of locally produced knitting yarn and weaving just down the road from me here at Clasheen. I totally forgot that I needed to send Carole another pack of these goodies so many apologies, I’ll head over to Philip Cushen next week and get them in the post to you asap.
Mosaic style nuno felt scarf
Anyway, I also had a small pack of beautiful hand dyed teeswater locks and some firestar fibre in my favourite shades of acidic green, it’s strange to say that although I’m not a glitzy kind of gal at all I really do love the sheen and shimmer from the firestar!!! The printed silk in this scarf was part of my stash from the US, in fact I remember buying it in the Salvation Army on a foray with Sharon of the Tin Thimble but it could just as easily have been from one of the many trips I made with great friends Dawn or Merridee either, I LOVE these silk gathering events!
Firestar adds a shimmer in places
If you’re interested in seeing more images of these pieces plus some photos of a large green wrap I made on Tuesday please check out this album on FB and do like Nicola Brown – Clasheen while you’re over there, only of course if you do like what you see!!!
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I’ve been taking some time both last weekend and this to work on new (to me) jewellery designs while I’ve been in the studio at Duckett’s Grove. Almost by happy accident I came up with an idea for a flower bolo, already two of these have sold so I think this is a step in the right direction. I’ve also felted two bangles and four rings in strong modern shapes yesterday and today, these are in strong sharp colours with clear defining lines where the colours meet, no blending of shades. Finally I felted some flowers with stylised petals, some for brooches the rest for the bolos and the smallest for rings. I’m going to try uploading a couple of pics in a minute, this new WordPress app is proving a godsend since I’ve been away from the computer almost all of the past week.
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Posted in Felt, workshops, tagged Dagmar Binder, Felt, Felting, felting workshop, felting workshop with Dagmar Binder, fibre, merino, short fibre merino, silk, Wollknoll on July 11, 2012 |
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After our introductory day observing and sampling how Dagmar Binder lays out her fibre I decided to felt a small neck piece in the evening, this time using some of my favourite short fibre merino from Wollknoll instead of the 21 micron roving which I used for the class piece, pics of both samples are in Monday’s post. I was far happier with the results, the surface texture of the felt was much smoother and I always like the way I can blend the colours as I go along. As a result I decided to use the short fibre wool for the rest of the week, maybe if I had used a 16 or 17 micron roving I would have had a similar outcome but for me I wanted to use the fibre that I have most affinity and feeling for and didn’t want to have to buy extra wool when I already loved the colours of what I had in my stash!
Don’t the colours just sing?
Our task for day two was to felt a scarf/neck piece incorporating resists using some of the techniques learnt about laying out fibres in different directions and subsequently playing around with the flexibility of the various attachments. I choose hot orange for the main colour and added red, purple and small amounts of yellow wool as well as pieces of silk fabric, gold silk fibre and red linen fibre for surface decoration. The silk I snapped up in a charity shop in Edinburgh so yes, you can get LOADS of silk there too if you look in the skirt and blouse sections instead of the scarf, I’ve done it!
I had a concept for my neck piece which didn’t work out quite as I had planned. Those of you who know me and my style of working understand that drawing and planning to the Nth degree is just not part of my creative process, rather I start with a concept and let the colours and fibres speak to me during the layout stage out and adjust my design organically as I go along.
The perfect length to throw around my neck
As a result I ended up with rather a nudibranch styled piece, surprise, surprise!!! As I was adding some silk pieces to the main body of the felt I was actually thinking of the speckles on a trout, once I got to the fulling stages however I totally changed the shape of the ‘tail’ end (it had 6 resists in it during the layout) the end result is quite shrimp like in places so overall the piece is very piscine in nature.
I’ll leave you with a picture of it sneaking up my cotinus, make up your own mind about the nudibranch influence but I can attest that it does seem to have a life of it’s own! Tomorrow I’ll blog about the wall hanging and vessel I made on days three and four, I’m particularly happy with my large felt vessel.
Nudibranch like neck piece at large!
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Posted in Book, Book with Chrissie, Felt, nuno felt, tagged cotton gauze, Felt, felt wrap, merino, Nuno, nuno felt, silk on March 2, 2012 |
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Yesterday I was very busy felting! I’m going to be away unexpectedly next week (thanks George for stepping up to the mark at zero notice to house and Rex sit, Annette I’ll be in touch about July!) so I need have to have a batch of wearables ready for the golf club tomorrow morning. While I’m away there’s going to be a fashion night there so thanks must also go to Lady Captain Eileen Kelly who’s going to organise someone to display and look after my pieces! My beautiful new cotton gauze arrived on Tuesday afternoon from Charlotte Buch so I decided to felt some nuno wraps combining this with short fibre merino, ponge silk and sari silk from my stash. Killing two birds with one stone I also took pictures of the process, these pieces took a long time to lay out but were fulled in the dryer and that’s how I could felt more than one in a day. This processes is one I will be exploring in the new book with Chrissie and is wonderful for anyone who finds nuno felting either tiring or time consuming!!! Talking of time I must dash now, here’s a close up shot of the finished wraps, note how using the same fabrics but a different colour fibre results in complimentary but very different end results.
Turquoise and apple green merino combined with the same silk and cotton surface fabrics offer two different end results
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I’ve just don’t have enough time in the day to write a detailed post about how I felted my sister Suzanne’s rug but hopefully these pictures will give you an idea of what the finished rug is like, I LOVE the fact that it is reversible! I did upload more pics of the work in progress to FB if you are interested, thanks everyone for your positive comments as I progressed throughout the afternoon.
Starting size 1m x 2m (39.37″ x 78.74″) – I laid the design out in merino on top of a fine wool and cotton fabric base prepared at Mehmet Girgic’s studio in Turkey.
Design laid in merino wool on top of a base prepared at Mehmet Girgic's studio in Turkey
Note the areas where I have left uncovered, these will become textured white parts in the finished design, again I have uploaded a detailed picture to FB. Mehmet makes the bases from approx 6 fine layers of undyed wool covered with a sheet of tightly woven cotton muslin. This is wet out and stamped until the wool fibre is starting to penetrate the fabric but no shrinkage has occured. I bought quite a bit of this base material from him several years ago and this was a piece left in my stash.
Working the reverse of the rug with my new fulling roller and stretching the edges with a pliers
Niki Collier and I will be selling beautiful hand made fulling tools to our own designs shortly, the grooved roller that I used in the final stages of this rug is one of them and it worked wonderfully to spot full and even up the edges. I also pulled with a pliers to stretch a bit where necessary, these ones are just jewellery pliers that I picked up in Aldi for a song! Pin It
The last picture I’m sharing today is one of the finished rug. In actual fact the rug is fully reversible and if you head on over to FB you can see the reverse side, I love the subtlety of the design blending with the natural wool on the back. For those of you with a mathamatical bent the lay out size was 100cm X 200cm and the end size 72cm X 140cm. Using an online percentage calculator this means that the rug shrunk 28% widthways and 30% lengthways, I did work it slightly more in the lengthwise direction as I wanted to get the best shape and size possible for Suzanne!
Suzanne's new felt rug!
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Posted in Craft Fairs/Events, Fairs/Events, Felt, Felt for sale, tagged Clasheen, Felt, felt bag, Felting, Jacobs fleece, merino, raw wool, wet felt, wet felting on December 8, 2011 |
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I’m totally addled now having spent the last number of hours adding finishing touches to some raw fleece and merino bags in preparation for the farmer’s market in Borris tomorrow morning.
Raw wool and merino bag with adjustable shoulder strap
If it wasn’t for the fact that I really like the bag I was trying to attach the handle to I probably would have taken my sissors to it and cut it up into shreds! How anybody enjoys sewing is beyond me!!! Apologies to all of you who find it relaxing but honestly, at this stage you might think that I would be getting a little more proficient, scrap that thought totally. My only consolation is that I have decided to contact Ken Foley after Christmas and see if he would be interested in making and attaching handles to my designs, this way I can concentrate on the felting and leave the leather work to the master! The relief I feel after taking this descision is amazing, it may make the bags a little bit more expensive to buy but thinking of the time I’ll be saving I feel that it is going to be worth it in the long run. I also got to use some of my stash buttons; the bag pictured has a stunning horn button that I picked up in the United States two years ago and I also found the perfect vintage closure for a handy purse that has a loop at the back to wear around your waist with a belt. Head over to visit Clasheen on Facebook if you would like to see pictures of all the finished bags!
Gorgeous horn button nestling amongst the raw wool locks!
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Yesterday I finished felting a series of felt landscapes which I am hoping will be selected for inclusion in the Blueprint Christmas Exhibition, fingers crossed please! It was one of those days when everything seems to go right on the felting side of things, the velvet crinkles wonderfully when felted with the short fibred merino and the simple white frames and off white mount show off the landscapes just to my liking. Of course that doesn’t mean the people curating the exhibition will feel the same but at least I am happy with what I produced. My new lables also came in handy as I was able to attach one to the back of each piece of felt, that leads me to the question, what is the best way to sign a framed piece of textile art? Any suggestions eagerly awaited!
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Posted in America 2010, Book, Book with Chrissie, Felt, Free machine embroidery, workshops, tagged Arlene Shawcross, Felt, felt vessel, Felting, free machine embrooidery, from felt to friendship, merino, Rhinebeck, Rhinebeck Sheep and Wool Festival., stitching, wet felt, wet felting on September 29, 2011 |
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Apologies for not posting final pictures from the weekend’s free machine embroidery workshop yesterday, tidying up just got in the way! Seriously, the massive back kitchen/garage restructuring that I have undertaken this week is really coming along famously and I didn’t want to break stride and get sidetracked by the computer, I would NEVER have headed back to the devestation that is my garage otherwise!!!
My mother’s birthday in on Sunday and she has requested a companion piece to the little rose hip vessel (one of the pieces in ‘From Felt to Friendship’) I gave her for Mother’s Day earlier in the year. Luckily she requested this ages ago (as she requested the original vessel!) and I was able to put some orange, red and black merino aside in a bag so fingers crossed I can make a nice piece this morning, a welcome change from all the tidying and cleaning going on chez Clasheen! This afternoon I am playing in the last big ladies golf competition of 2011 so thinking of this I have put aside this morning for felting the vessel and hopefully a couple of new bracelets to stitch at the weekend. I really feel that because I have invested so heavily in my machine I need to get to grips with the technicalities pdq because I obviously need to be selling work to justify the initial cash outlay. My intention is not to stitch every piece of felt from now onwards rather understand the possibilities and see where that leads me! Now on to some more pictures and info from Arlene Shawcross’s brilliant free machine embroidery workshop last weekend.
The finished bracelet photographed against the granite stone wall I used for inspiration
On Saturday evening when I returned home after the first day was over, I had a look in my studio to see if any of the beautiful glass buttons I brought home from the Sheep and Wool Festival in Rhinebeck last October would suit the colours of the bracelet which I had been stitching. The loop closure is not the widest because I felt I needed to keep it in proportion to the delicacy of the stone wall design so I was delighted to discover the smallest of the buttons was a beautiful grey/blue glass with a band of deep green and iredescent gold, perfect. It was a bit (or a lot fiddly!) to attach the button and after a failed attempt myself I have to confess that Arlene was brilliant and stitched it on for me, thanks Arlene! Big strong hands are a huge advantage sometimes (excuse the pun) but for some jobs especially ones involving detailed sewing I just get very frustrated, ah well, one step at a time I suppose.
My next experimental project was to stitch on a dissolvable paper, very interesting. Arlene has gorgeous samples and I thought this would be a very interesting way of creating interesting pieces to sandwich between two layers of perspex or glass, my mind was humming! With this method I didn’t need to cross over each line of stitches to the same degree as I had with the Romeo, the second stage of the process is wetting out and removing some of the paper so being selective with this ensures that the remaining paper ‘bonds’ everything together anyway. Adding paint to your brush and washing it lightly over the surface of the stitches and paper leads to interesting effects if you don’t make it too wet, as the water/paint dries the remaining paper stiffens around the stitching. I loved this distressed look and will be experimenting further, below is an image of one of the pieces that I made. The final piece that I created used a very sticky backed plastic, problems, problems with this one but a very impressive final result even if I do say so myself! I’m going to add a few selective beads to this piece, frame it, photograph it and then blog about it so until then I’m not going to write any more about it here.
A close up of the stitched, dissolved and dried paper sample
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